Popular Korean Webtoons in the US
2021.04.05
In Korea and Japan, it is common for one or two writers or illustrators to complete comics from their beginning until the end. However, comics in the US are different in that the publisher owns the copyright of all the characters. Numerous writers and illustrators come together and create stories endlessly centering around the characters based on the copyrights. This is why you can easily find comics of about 32 pages mainly about masculine characters and have limited storylines. Here, Korean webtoons are blowing a new wind of change in the US comics market, appeasing a female readership as well with various characters, subjects, and genres (romance, fantasy, action, martial arts, boy’s love, sports, daily life, comedy, office life, entertainment, etc.) continuing to grow exponentially in the market.
Creative, ingenious Korean webtoons are leading the fourth Hallyu (Korean Wave) across the world.
From the early 2000s, many of Korea’s comic books, including Priest (Daewon C.I) and Ragnarok, entered the US “comics” market in which the dominance of Marvel Comics and DC Comics accounted for 70%. However, their ambitious American dream perished rapidly when Borders bookstore chains ceased operations in September 2011.
Devil Number 4, A Good Day to be a Dog, Omniscient Reader
However, things began to change. In 2012, Tapas Media managed to enter into the US market with Korea’s business model for webtoons and launched a mobile platform business using a comics application that supports vertical reading. This has enabled Korea’s platform companies to jump into the US market. Platforms and applications that service webtoons such as Naver Webtoon (Line Webtoon), Lezhin Comics, Tappytoon, Pocket Comics, and Manta began to compete fiercely in the market by providing works to the existing platform companies in the US as a publisher, through a joint company, or establishing a platform of themselves.
List of popular comics on Lezhin (as of 2020)
Tappytoon started its service in 2016 and has been mainly providing translations of popular Korean webtoons. Serialized works include Solo Leveling (D&C Media), Light and Shadow (Shinyoung Media), Daughter of the Emperor (D&C Media), Bloody Sweet (C&C Revolution), What’s Wrong with Secretary Kim, and Cherry Blossoms After Winter. The primarily serviced webtoons are romance and fantasy to target female readership. Its number of net users per month (MUA) exceeds 5 million, and there’s a total of more than 80 thousand webtoons, including web-novels.
Daughter of the Emperor, Bloody Sweet, Under the Oak Tree
Meanwhile, Tower of God (Young Com), which was already famous before its official translation was provided, is now serviced in English, Chinese, Indonesian, Japanese, Spanish, and French through WEBTOON (Line Webtoon), an official translation service of Naver Webtoon. The response is tremendous. There are more than 20 unofficial fan translations of the work, and the accumulated views worldwide have passed 4.5 billion. Its RPG mobile game was released in 2016, and an animation series was aired on TV in April 2020, attracting more fans from across the world.
Tower of God, The God of High School, Solo Leveling
There’s also another webtoon that is drawing massive popularity. It is Omniscient Reader, a modern fantasy that triggered the beginning of apocalypse comics in Korea. It was originally written as a web-novel on Moonpia, which recorded more than 100 million views, and has two volumes of books already published. It has already signed a contract for TV drama and film production late last year while being serialized on Naver Webtoon. The filmmaker for the movie is Realies Pictures, the same producer of the movie “Along with the Gods.”
Netflix posters of “Sweet Home” and “Love Alarm”
Korean webtoons are achieving success in a short period of time, leading the spread of the “snack culture” in the US with its platform business model that can expand the stories into spin-off content such as games, movies, and dramas. Also, while adopting the “Freemium (partially paid service),” a stable source of income, they are successfully expanding influence in the market and discovering local authors considering the characteristics and culture of the US market. The background of such a stable business foundation has been greatly supported by the rapid technological development across the world where more people are using mobile devices.
Written by Kim Nam-Ho (President of Topaz Agency) Kim Nam-Ho (President of Topaz Agency) |
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