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Search word : "Digital content",   Search result : 34
[TREND / TOPIC]

Background and Prospect of General Revision of Copyright Law in Korea

Background and Prospect of General Revision of Copyright Law in Korea   2020.10.05       Background of the general revision of copyright law   The Ministry of Culture, Sports, and Tourism recently announced that the copyright law will be generally revised in 14 years to reflect the changing environment of creative works and their usage and to organize the complex legal system. In February this year, the Ministry announced the “Copyright Vision 2030,” clearly exhibiting its will to generally revise the copyright law. The research team for the general revision of the copyright law composed of experts and the Korean Copyright Commission, have been discussing directions for the revision based on the preceding research from the past. The final revision will be confirmed after collecting opinions from experts and people concerned.Korea’s copyright law enacted in 1957 was first generally revised after 30 years in 1987. If the revision in 1987 was mainly ...
  • VOL.27 / 2020.10
[TREND / TOPIC]

Publication Industry’s Response to the COVID-19 Pandemic

Publication Industry’s Response to the COVID-19 Pandemic   2020.07.13     Critique and composer Choi Jung-Woo said in his article “Era of Social Media: What is the Role of Humanities (The Kyunghyang Shinmun, December 18, 2012)” that Twitter and Facebook are referred to as bywords for modern “communication” but are never in the style of “dialogue,” and as such are paradoxically against the communicative function expected of them as “Social Networks.” He argued that Twitter is closer to laying out “testimonies” and that Facebook is more like an “exhibition” than being a platform for communication, and that with the two having more of a “monologue” characteristic, Social Media is having a negative impact on the development of humanities.Seven years and four months later, in his article “Humanities in the era of Social Media: The Gaze of Signs Emerging with Intervention (Giheok Heoui Vol. 504, January 20th, 2020)”, he once again claimed that “Even though t...
  • VOL.24 / 2020.07
[TREND / TOPIC]

E-book Platforms and the Meaning of “Original Content”

E-book Platforms and the Meaning of “Original Content” The value of new methods and strategies   2020.05.04     According to the 2019 National Reading Survey, 52.1% of Korean adults were reading paper books. Adding e-books and audiobooks only pulled up the rate to 55.7%. The rate is falling with every survey. The reason for the fall in adults’ reading rate is a change of pattern in consuming content. People that enjoy other content than books reached 29.1%. Smartphones killed books.Yet, there are still readers. More and more readers are reading books with their mobile devices. Major online bookstores such as Yes 24, Kyobo Bookstore, and Aladdin have more than 10 million members each. Even e-book companies RIDI Books and Millie have millions of subscribers. There are many readers who enjoy reading genre literature through web-novel platforms such as Naver Webnovel, KakaoStory, Munpia, and Joara. In short, the missing number of paper book readers, or even mor...
  • VOL.22 / 2020.05
[TREND / TOPIC]

South Korea's online platforms where readers can meet genre literature

South Korea's online platforms where readers can meet genre literature   2019.12.09   Typically genre literature refers to genre fiction, which in turn is used to call novels with similar elements or narrative styles like books of science fiction, fantasy novels, detective thrillers and mysteries. As we entered the 2010s, the market for e-books and web novels which represent digital publishing content rapidly grew and genre fiction has been shaking up the conventional literature scene ever since. In South Korea, web novels centering on genre fiction appeared in earnest in January 2013 on Naver's web novel service.What sets web novels apart from conventional novels is the fact that their formats can vary depending on the author's situation. Usually, readers have to pay for each chapter in the novel, so authors base their stories on fun and suspense. Needing to keep readers hooked, events in web novels happen quickly in short amounts of time. Also, as increasingly more user...
  • VOL.18 / 2019.12
[INFORMATION / #K-BOOK]

#Trend & Marketing

#Trend & Marketing KPIPA introduces K-Books for global publishing markets through K-Book Platform   2021.01.04   Discovery of the Usual 1. Publication Details Title | Discovery of the UsualSubtitle | Usual Observations, Notes, Music, and UnderlineAuthor | Yoo ByoungookPublisher | Bookhouse Publishers Co.Publication Date | 2019-08-05ISBN | 9791164050321No. of pages | 280Dimensions | 128 * 185   2. Copyright Contact Name | Heo YoungsuEmail | ysheo7@paran.comPhone | +82-2-3144-2705   3. Book Intro How do copywriters spend their daily lives so that they can come up with such brilliant ideas? How do they spend time in free time? The book Usual Discovery talks about how the author as a copywriter and creative writer, usually spends his time, i, e, time spentin observing things, taking notes, listening to music, and underlining sentences. The author is a creative director of...
  • VOL.30 / 2021.01
[NEWS / PUBLISHING INDUSTRY]

South Korea’s Digital Publishing Contents Platform

South Korea’s Digital Publishing Contents Platform   2018.06.28   In the digital age, books are no longer only in paper form but in all kinds of versions becoming evolved and expanded thanks to digital technology. When you take books only in paper form, it looks like the crisis of books is structurally inevitable, but when you combine them with all kinds of digital publications and digital publication content, a new publication market and reading culture have born anew. One thing that represents this change would be the platform services for publications. One characteristic of publishing platforms is that it brings together content goods that users, who have interest in a variety of categories, are expected to like and take an interest in. They fulfill the needs of many publishers and consumers at the same time. The platforms are managed by many different companies and entities, and this piece introduces two platforms that South Korean publishers currently manage directly. &...
  • VOL.10 / 2018.06
[NEWS / PUBLISHING INDUSTRY]

South Korea's budding publishing experts

South Korea's budding publishing experts   2018.01     University education inside South Korea to create experts in the publishing industry peaked in the 1990s. This was reflected in how even regional universities outside the capital area created new majors for this purpose while more than 10 two-year community colleges also did the same. There were also several locations that used the title "electronic publishing". Currently there is only one four-year university that has a publishing related major(Semyung University) and two two-year colleges(Shingu College, Seoil University). In today's modern world where job education is key, the number of majors at universities might as well be a barometer for how successful that field is. And this change shows well how things have greatly changed from 20 years ago when there was a surge of those working in the publishing industry.    On the other hand, there is a need to note not many publishers require their workers to ...
  • VOL.8 / 2018.01
[TREND / EXPORT CASE]

e-future, a business specializing in ELT content

e-future, a business specializing in ELT content Leading the Hallyu of ELT content with the highest R&D competence   2019.09.09   Creator of the widely-acclaimed Smart Phonics series, South Korean ELT (English Language Teaching) content company e-future is leaping forward as a global English education firm, beyond South Korea's sluggish English education market.       As an ELT content specializing company, e-future has been making meaningful strides in English education. I think our readers will want to know how e-future became a major ELT content provider from a country where English is not an official language.   After e-future was established in 2000, we've been developing our own English education content for learners who live in a country where English is not the native language, called EFL (English as a Foreign Language) countries. On top of this, through continuous efforts to enter markets outside South Korea, we've succeeded in exporting our ...
  • VOL.15 / 2019.09
[REPORT / COLUMN]

Poetry App “Siyoil”

Poetry App “Siyoil” Publication Content Breathing Anew In A Mobile Age   2018.06.28       Poetry and mobile   Siyoil was planned and launched out of necessity for a platform on which users could read at least one poem a day, easily find poetry and share it with other users. Those in charge of the project believed poetry was a literary genre ‘made for’ mobile devices like smartphones, where aesthetic content is consumed everyday. After its launch, the application has improved consistently, tailored to the needs of its users, and more poems have been added including new works. On April 23, the app marked its first anniversary and a new section called ‘Poem Diary’ was launched where users could upload works of poetry and writing on the app like they would in a diary. Siyoil saw more than 200,000 users register before its first anniversary. In comparison, the Facebook account for Changbi, Siyoil’s parent company, took seven years to gain ...
  • VOL.10 / 2018.06
[NEWS / PUBLISHING INDUSTRY]

South Korea's Major Online Bookstores

South Korea's Major Online Bookstores   2017.12.01   Online bookstores account for 30 percent of South Korea's total book distribution and sales. The largest bookstore companies of this kind include YES24, Aladin, Interpark and Kyobo Book Centre, which has a large offline base. They are the 'Big 4' and when including offline sales, Kyobo dominates, but when talking about just online book sales, YES24 is the current leader.     After ‘Amazon.com’ emerged in the United States in 1995, global online book sales surged sharply and in South Korea, the first online bookstore appeared in 1997. Shortly after in the early 2000s, several more online bookstores entered the foray that had no offline base or store. Their growth over the following decade was astonishing. In 2009, sales reached an aggregate 1 trillion won before peaking in 2011. Internet bookstores have since shown fluctuation in sales repeatedly and this is where some explanation is needed. ...
  • VOL.7 / 2017.12
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