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[TREND / EXPORT CASE]

Korean Non-Fiction in the Southeast Asian Publishing Market

Korean Non-Fiction in the Southeast Asian Publishing Market   2020.03.02     Centering around English-speaking countries including the Americas and Europe, public interest in Korean literature is steadily growing; meanwhile, Korean non-fiction books such as self-development and health-related books are drawing relatively positive responses in the Southeast Asian publishing market that is taking root as a major market for Korean publishing culture and contents.   Covers of Blonote: Korean and English   Since the book Blonote (Tablo, Dal Publishers) wrote by the Korean singer Tablo was published in Thailand in 2019, it has been receiving positive comments from local bookstores ? it even made its way to the list of best sellers in some. Young local readers in Vietnam have praised the book after it was published in Vietnamese; it contains Tablo’s short but powerful message to the world. His short messages with cool-headed insights from daily life appeal to the r...
  • VOL.20 / 2020.03
[TREND / TOPIC]

South Korea's online platforms where readers can meet genre literature

South Korea's online platforms where readers can meet genre literature   2019.12.09   Typically genre literature refers to genre fiction, which in turn is used to call novels with similar elements or narrative styles like books of science fiction, fantasy novels, detective thrillers and mysteries. As we entered the 2010s, the market for e-books and web novels which represent digital publishing content rapidly grew and genre fiction has been shaking up the conventional literature scene ever since. In South Korea, web novels centering on genre fiction appeared in earnest in January 2013 on Naver's web novel service.What sets web novels apart from conventional novels is the fact that their formats can vary depending on the author's situation. Usually, readers have to pay for each chapter in the novel, so authors base their stories on fun and suspense. Needing to keep readers hooked, events in web novels happen quickly in short amounts of time. Also, as increasingly more user...
  • VOL.18 / 2019.12
[INFORMATION / INFO]

2020 Online Meetings with Indonesian Publishers

2020 Online Meetings with Indonesian Publishers   2020.06.01     Photos from the “I Love Korea, I Love K-Book 2018”   The Publication Industry Promotion Agency of Korea (KPIPA) was planning to host the “I Love Korea, I Love K-Book 2020” in Jakarta, Indonesia, which was picked as one of the major markets for Korean publishers. However, as border measures were strengthened across the world due to COVID-19, the planned offline meeting was changed to a video conference. This is the first time for the book fair to be conducted online. Major Indonesian publishers, including Kompas Gramedia Group and Mizan Group, are set to join the online meetings.   Purpose To support Korean publishers having difficulty exporting publications due to the spread of COVID-19, and to promote export of Korean publication contents...
  • VOL.23 / 2020.06
[REPORT / COLUMN]

South Korean Literature, Expanding Its clout in Global Markets

South Korean Literature, Expanding Its clout in Global Markets   2018.07.31   South Korean literature has recently been entering a number of different countries with different languages, instead of focusing on one language or one country. The situation has shifted from before, when South Korean original novels would find demand after a film or television adaptation gained in popularity or vice versa. This shows South Korean literature’s presence in the global publishing market and that Korean literature has been gaining in competitiveness in a number of different markets.     Around the time of the New York Rights Fair that was held recently from late May to early June, Lee Ji-min’s novel Marilyn and Me (That Book) was introduced to the market and since then has been the subject of great interest. This novel tells the story of Marilyn Munroe and her interpreter Alice in the February of 1954, just after the Korean War ended in a truce. The story of the two women...
  • VOL.11 / 2018.07
[TOPIC / SPECIAL]

Agencies talk actual copyright export cases

Agencies talk actual copyright export cases   2018.01   It is a well known fact South Korea's copyrights are being exported actively throughout the globe. However, it is difficult to know in detail what books are being sold into which countries and how. This is because the information is directly connected to the business operations of agencies that are involved in intermediating export deals. It is also because so many books are being exported to other countries simultaneously.In our January webzine, we will look at what kinds of content have been exported so far including literature, children's books, practical books, series, comics, webtoons and language education workbooks. Through these detailed examples from agencies, readers will even be able to find tips they would not have found out about without having gone through the export process themselves.     Table of Contents   1. Literature - Joseph Lee, President of KL Management 2. C...
  • VOL.8 / 2018.01
[TOPIC / KOREAN PUBLISHER]

Daewon CI

Daewon CI The Power of South Korean Comics   2018.01   Daewon Culture Industry(Daewon C.I.), formerly called Daewon Donghwa(1991), is one of South Korea's representative cartoon publishers. As one of the cornerstones for South Korea's comics industry, it has walked hand in hand with the history of the country's cartoons for the past 27 years. Daewon C.I. is a subsidiary of content licensing company Daewon Media and one of its more successful businesses.Anyone who was born and raised in South Korea is likely to have at least one of Daewon C.I.'s comics characters in their memories. Times have changed and paper comics that used to be turned page by page are now skimmed on digital screens, but Daewon C.I. has succeeded in keeping the attractiveness of comics alive, regardless of genres: humor, history, romance, social issues, education and fantasy. The following is a Q&A with Daewon C.I.'s Park Jong-gyu, head of the company's publishing management team.   ...
  • VOL.8 / 2018.01
[TOPIC / ISSUE]

K-Books Blossoming in Central America

K-Books Blossoming in Central America South Korea's picture book exhibit at the Guadalajara International Book Fair, Traveling book fair in Central America   2018.01   The joy of discovery, South Korea's picture book exhibit   From Nov. 25 to Dec. 3 in Mexico, the 31st Guadalajara International Book Fair was hosted. Spain participated as the guest country of honor while more than 2,000 publishers from around 40 countries took part in the book fair, cementing the fair's status as the largest of its kind in Central America. With the support of the South Korean culture ministry, KPIPA also participated with KBBY and operated a picture book exhibit at the book fair. It was the third year for the picture book exhibit, which began in 2015.     The theme of this year's exhibit was 'El deleite de descubrir' reflecting the joy of discovering new, excellent South Korean picture books. A total of 57 books were on display, including Hyde and Me (Ji-min Kim), Mom's Pr...
  • VOL.8 / 2018.01
[TOPIC / ISSUE]

Asian Publishers Fellowship Program in Seoul 2017

Asian Publishers Fellowship Program in Seoul 2017 A special exchange among Asia's publishing editors   2017.11.01   The Korea Publishers Association, in hand with the Korea Publishers Society also representative of South Korea's publishers, has been hosting conferences of publishing industry experts in East Asia as an external cooperative project. The conferences aim to share business know-how between global publishers and the latest publishing marketing techniques. Particularly, the Asia Publishers Fellowship Program (APS) has been held from 2010 to strengthen international networks through exchanges between publishing industry professionals and create a platform on which South Korea's publications and copyrights can be exported. At the conferences, the excellence of South Korean publications is actively promoted and their exports have grown in tandem with the growing popularity of Korean culture. As of this year, 106 participants from 15 countries have taken part in the pro...
  • VOL.6 / 2017.11
[REPORT / COLUMN]

K-Thrillers lead Hallyu publications in Europe

K-Thrillers lead Hallyu publications in Europe   2018.06.28   As we are approaching the third quarter of this year, K-thrillers(Korean thrillers) are emerging as the new leading force in the world’s publishing market. And at the center of that whirlwind are authors like Jeong You-jeong, Kim Un-su and Seo Mi-ae. The attention on these authors - whose work can be summarized into three words: mystery, thriller, crime - has been heating up from global publishers. Not only has interest been burgeoning in Europe, especially English speaking countries there, but also in Asia. One point to note is that this interest from the global publishing market in Korean literature, especially K-thrillers, is not entirely new. Global publishers, especially those in English dominant countries, have consistently been drawn to titles in this genre. However, if that interest had not led to exports before, soft interest at home and a lack of sales marketing for these books were likely to blame. Wha...
  • VOL.10 / 2018.06
[REPORT / COLUMN]

Exports to Southeast Asia

Exports to Southeast Asia   2018.05.30       As publication business exchanges with China have declined exorbitantly over the past 18 months, South Korea's publishing industry has turned its eye towards Southeast Asia and exports to this region have been increasing as a result. Along with efforts to make up for the gap created by declining publishing trade with China, South Korean publishers seem to have come to the conclusion they must expand their territories to move in line with today's changes. Exchanges with those in the publishing industry in Southeast Asia began around 2005 and have been continued ever since. However, one thing that stands out between then and now is the fact that Korean publishers are now creating more diverse content in a number of areas and they are also making more aggressive moves to enter the market in Southeast Asia. On top of this, the 'traveling book fair' project that has been operated by KPIPA over the past several y...
  • VOL.9 / 2018.05
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