Publication Industry’s Response to the COVID-19 Pandemic
2020.07.13
Critique and composer Choi Jung-Woo said in his article “Era of Social Media: What is the Role of Humanities (The Kyunghyang Shinmun, December 18, 2012)” that Twitter and Facebook are referred to as bywords for modern “communication” but are never in the style of “dialogue,” and as such are paradoxically against the communicative function expected of them as “Social Networks.” He argued that Twitter is closer to laying out “testimonies” and that Facebook is more like an “exhibition” than being a platform for communication, and that with the two having more of a “monologue” characteristic, Social Media is having a negative impact on the development of humanities.
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From such perspective, it is a fact that COVID-19 that struck everyday lives of the global community is regarded as the ultimate “technology” that encouraged people to stop hesitating and start making new products with a smartphone using the 4th industrial revolution technologies such as A.I., big data, and IoT, spurring technological development. There will be many people who will feel unpleasant to hear referring to an infectious disease that took away the lives of innocent people as a “technology.” Still, if you could understand the inevitable reason behind the argument, you will be able to get a full grip of where this world is heading to.
People lost jobs, and almost all the cultural events were cancelled due to COVID-19, but publication was an exception.
So many people lost their job due to the pandemic. Temporary jobs and dayworkers were the most severely hit. The cultural market was not an exception. As people could not gather, almost all the cultural events were canceled, taking away the opportunity to experience running events. However, the publishing industry was safe. Many publishers could cope with the pandemic by carrying out most of their work from home. Furthermore, the online distribution channel was sturdy, and e-book sales soared. Many children’s book & teen book publishers enjoyed an uptrend in sales thanks to parents eagerly encouraging their kids to read books while staying at home. Also, as libraries were closed, people purchased books for themselves, raising the sales bar once again.
The writers met at least twice a week, discussing and sharing feedback to what each other had written; everything was done online through Cloud and video conferences. The book, which definitely will be a great support for teachers, students, and parents in the post COVID-19 era as public education continues to change. It will also give courage and power to fellow teachers having trouble with unprecedented online classes It is set to be published in early July this year.
Frame Revolution: Post COVID-19, a Shift Towards a People-Centered Economy
In his book Frame Revolution: Post COVID-19, a Shift Towards a People-Centered Economy (Book by Book), writer Park Se-Gil claimed that “In this ever-complex world, it is difficult to expect a new ideology to set in depending on a certain ideology like in the past. This is the era of collective intelligence (or multi-intelligence). Content is created and developed through collective intelligence from Linux to Wikipedia and Youtube.”
The publication market rapidly began to learn how to survive after the outbreak of the pandemic.
The COVID-19 pandemic has changed the ins and outs of our life. Many people say that the world would never be able to go back to the pre-COVID-19 days. In fact, it would be regressive to go back to the past while we have discovered a new way of living and new jobs with infinite potential. Books are the source of all content. The publishing industry will try out new adventures. Using collective intelligence from planning to execution as a default option.
Written by Han Ki-Ho (Head of the Korean Publishing Marketing Research Institute) Han Ki-Ho (Head of the Korean Publishing Marketing Research Institute) |
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